Suno has never published a complete, official list of its metatags. This guide is the community's answer to that gap: every documented tag, rated by reliability, organized by category, and searchable. Whether you're trying to stop Suno from hallucinating a random key change or just trying to get a proper bridge, this is your reference.
How to Use Metatags in Suno
Placement Rules
Placement is the most important thing to get right. A misplaced tag often does nothing. Here's the golden rule: structure tags go on their own line, above the section they label. Never bury them mid-lyric.
# CORRECT — tag on its own line before the section [Chorus] We're alive in the neon glow Dancing through the night we know # ALSO CORRECT — multiple cues stacked [Chorus] [Belting] [Female Vocal] We're alive in the neon glow # WRONG — tag buried in a line We're alive [Chorus] in the neon glow
[Verse 1], [Verse 2], and [Verse 3] instead of just [Verse] gives Suno clearer context about where it is in the song arc and often produces more appropriate melodic and lyrical variation between sections.
The Parentheses Trick
Square brackets are for structural/delivery metatags. Parentheses (like this) serve a different purpose — they signal ad-libs, background vocals, or whispered asides that run alongside the main vocal line. Example:
[Chorus] I can't let you go (never gonna let you go) Even when the tide comes in
Where Negation Tags Go
Tags like no vocals, no autotune, and no drums don't go in the lyrics field — they go at the very end of your style prompt. Suno processes positive descriptors first, then applies exclusions. Putting them elsewhere reduces their effectiveness.
# Style prompt example with negation at end dreamy indie folk, fingerpicked acoustic guitar, warm reverb, female vocal, 80 BPM, no drums, no synths
Interactive Tag Reference
Click any tag to copy it to your clipboard. Use the search bar to filter across all categories. Tags are rated by reliability: proven = consistent across versions; community = works but less predictable; experimental = v5 colon-format or edge-case.
Structure Tags — The Foundation
Structure tags are the single most impactful type of metatag. Without them, Suno will attempt to infer structure from lyric content alone — which often works fine for simple songs but breaks down badly for anything with an unusual shape, a long bridge, or a section that needs to be clearly differentiated from the rest.
The Core Eight
These are the tags you'll use in virtually every song: [Intro], [Verse], [Pre-Chorus], [Chorus], [Post-Chorus], [Bridge], [Outro], and [End]. They are the most reliable metatags in Suno's entire vocabulary.
Drop, Build, and Breakdown — For Electronic Music
If you're producing EDM, house, trap, or anything with a structural "moment," these three are essential. [Build] signals rising intensity. [Drop] tells Suno to release that tension with a high-energy section. [Breakdown] strips the arrangement back down to a minimal version of the beat. Used together, they give you a proper EDM structure.
[End] and [Outro] interchangeably. [Outro] gives you a gradual wind-down with continued musical content. [End] signals a more abrupt stop. Using [End] when you want a long, cinematic closing section will cut it short.
Vocal Delivery Tags — Full Control Over the Voice
Suno's vocal model responds remarkably well to delivery instructions when they're placed correctly. The key insight: stacking multiple vocal tags in sequence tells the AI to blend those qualities, rather than pick one.
# Blended delivery — soft + breathy + falsetto [Soft] [Breathy] [Falsetto] In the quiet of the morning light # Contrast: switch delivery mid-song [Verse 1] [Whisper] I didn't mean to say it out loud [Chorus] [Belting] [Powerful] BUT I DID AND NOW I CAN'T TAKE IT BACK
Specifying Gender
While Suno will infer vocal gender from your style prompt and song context, using [Male Vocal] or [Female Vocal] in the lyrics field gives you explicit control per-section. This is useful for duets, where you want to clearly alternate voices.
Rap and Hip-Hop Delivery
For hip-hop tracks, the delivery style tags are where a lot of fine-tuning happens. The difference between [Trap Flow] and [Boom Bap Flow] is significant — trap flow expects triplet rhythms and a more melodic, laid-back delivery, while boom bap flow produces a tighter, more percussive, on-the-beat cadence. If you're getting the wrong vibe, try swapping between these.
Advanced v5 Colon-Format Tags
Suno v5 introduced a more expressive tag syntax using colons, which allows you to be more descriptive without relying on preset labels. Instead of just [Whisper], you can write [Vocal Style: Breathless] or [Vocal Style: Monotone] — and Suno will interpret the colon as a key-value pair, giving you far more expressive range.
This colon-format works across several categories:
| Category | Example Tag | Effect |
|---|---|---|
| Vocal Style | [Vocal Style: Melismatic] | Long, ornamented runs on syllables |
| Vocal Style | [Vocal Style: Monotone] | Minimal pitch variation, flat delivery |
| Mood | [Mood: Euphoric] | Peak positive energy |
| Mood | [Mood: Nostalgic] | Warm, wistful emotional color |
| Energy | [Energy: High] | Maximum intensity instruction |
| Tempo | [Tempo: slow, 70 BPM] | Combined tempo cue |
| Instrument | [Instrument: 808 Distorted] | Specific instrument color |
| Genre | [Genre: Ballad] | Section-level genre override |
| Callback | [Callback: Chorus melody] | Returns to earlier musical motif |
| Harmony | [Harmony: High] | High background harmonies |
[Chorus] and [Verse].
Real Song Structure Examples
Standard Pop Song
[Intro] [Verse 1] Walking through the city lights Everything feels so right tonight [Pre-Chorus] And I know, I know, something's changing [Chorus] [Belting] We're alive, we're alive Nothing's gonna bring us down [Verse 2] Stars are shining up above This is what I've always dreamed of [Chorus] [Bridge] [Whisper] When the world gets heavy I'll be right here, steady [Final Chorus] [Powerful] [Outro]
EDM / Electronic Drop Structure
[Intro] [Verse 1] Under neon lights we find our way [Build] [Drop] [Verse 2] Higher than the city skyline [Build] [Drop] [Breakdown] [Outro]
Duet with Contrasting Voices
[Verse 1] [Male Vocal] [Soft] I never thought I'd find you here [Verse 2] [Female Vocal] [Breathy] In the spaces between the years [Chorus] [Duet] [Harmonies] We collide like stars in the dark
Pro Tips & Common Mistakes
| Situation | What to do |
|---|---|
| Song ignores your structure | Make sure tags are on their own lines. Check that your actual lyrics match the structure your tags imply. |
| Wrong vocal gender | Add [Male Vocal] or [Female Vocal] explicitly in the lyrics field, not just in the style prompt. |
| Getting AutoTune you don't want | Add no autotune at the end of your style prompt. |
| Song ends too abruptly | Use [Outro] with several lines of lyric content. [End] will cut short. |
| Chorus sounds like the verse | Add energy tags — [Belting], [Powerful], [High Energy] — on top of [Chorus]. |
| Bridge doesn't contrast enough | Add a delivery shift — [Whisper] or [Spoken] — on the bridge, contrasting with the full-voice chorus. |
| Too many tags, chaotic result | Limit to 2–3 stacked tags per section. Signal overload confuses the model. |
| Want a specific key | Add the key to the style prompt: key of E minor or E Dorian. |
| Parentheses vs brackets confusion | (text) = ad-libs/background vocal asides. [Tag] = structural/delivery directive. |
Frequently Asked Questions
[Verse], [Chorus], or [Whisper] — that you place in the lyrics field to control song structure, vocal delivery, sound effects, and musical elements. They act as structural and performative instructions to the AI model.no vocals and no autotune go in the style prompt field, at the very end. Genre, mood, and instrument tags can go in either field.[Vocal Style: Whisper] and [Mood: Euphoric] for finer-grained control. Standard tags like [Verse] and [Chorus] work across all versions.[Chorus] + [Belting] + [Female Vocal]. Limit yourself to 2–3 stacked tags per section to avoid signal confusion.[Outro] produces a gradual musical wind-down — the song continues with reduced intensity and wraps naturally. [End] signals a more abrupt stop. Use [Outro] for songs where you want a proper closing section, and [End] only when you want a sudden cut.key of A minor, 120 BPM, or E Dorian mode. You can also try bracket formats like [120 BPM] or [A Minor] in the lyrics header, though these are less reliable than style prompt placement.